Related Paintings of unknow artist :. | Lake George | Lady Jane Dudley | Arab or Arabic people and life. Orientalism oil paintings 531 | Wet Snow Auvergne | Saint Mark Arriving in Venice |
Related Artists:
Bonaventura Peeters
(Antwerp, 23 July 1614 - Hoboken (Antwerp), 25 July 1652) was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens (small seascapes). Peeters, brother of the seascape painters Jan Peeters I, Gillis Peeters, and Catharina Peeters, learned to paint from his father, who became a master in Antwerp's guild of St. Luke in 1607 - 1608, and his earlier works are related to the tonal phase of Dutch landscape painting. Later paintings, however, reflect the stronger colors of Italianate classicism. This shift follows the general changes in artistic style at the time. Like his brother Jan, dramatic shipwrecks with dark billowy clouds, form a significant part of his oeuvre, as do serene ports and "portraits" of ships.Also, while many of Peeters's paintings reflect actual locations, and he may have even travelled along the coast of Scandinavia, his many views of far-away Mediterranean and Middle Eastern ports reflect a growing taste for the exotic and are probably inspired from fantasy and from prints. This tradition developed simultaneously in Flemish painting and in Dutch Golden Age painting, with many artists, including Peeters, working in both Antwerp and in the Dutch Republic.
Jean Greuze
French 1725-1805 French painter and draughtsman. He was named an associate member of the Acad?mie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads (t?tes d'expression). These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Sim?on Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Fran?ois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850,
Vincenzo Campi
Vincenzo Campi (c. 1536 - 1591) was an Italian painter of the Renaissance from Cremona. His style merges Lombard with Mannerist styles, however, unlike his siblings, he is known for a series of canvases, mostly painted after 1570s [1], displaying genre scenes and local produce. Many set at a food store front of some sort. At the time, this type of paintings were uncommon in Italy, and more common in Netherlands, as exemplified by the canvases of Joachim Beuckelaer. In Cremona, his extended family was the main artistic studio of his time. Giulio Campi and Antonio Campi were reportedly half-brothers, while Bernardino Campi was a distant relative. All were active and prominent local painters. In 1586-1589, he and his brother Antonio completed paintings for the church of San Paolo Converso in Milan.